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For their essential contribution in disseminating information about the project among the countries, our special thanks go to: World Bank colleagues in Country Offices Our deep gratitude goes to the Country Directors and Country Managers who supported this project all along, in particular we single out the colleagues at the Buenos Aires Office: Oscar Avalle Bolivia and Giorgio Valentini formerly Guyana and last but not least, Alexandre Abrantes, Special Envoy to Haiti, who shared with us not only his artistic contacts in Haiti, but from his native Brazil as well.
World Bank Colleagues in Washington DC Our deep gratitude goes to the colleagues who suffered and rejoiced with us during the planning and implementation of About Change: In a series of art exhibitions, About Change has featured artists selected through a competitive process. Participation was open to emerging visual artists, or groups of artists, of any age, with preference given to artists born or currently working in one of the member countries of the World Bank Group in Latin America and the Caribbean region.
Project Committee The Project Committee was in charge of the dissemination of the Call for Entries, as well as of the curatorial decisions related to the individual exhibitions.
Wrestling with the image Trabajo en curso: Its topography and ecosystems range from tropical islands to high sierras and altiplanos, rainforests, deserts, and sprawling plains. The art in About Change reflects this diversity, and has been selected from among more than 10, works submitted to best represent the various characteristics of this vast region.
Contemporary artists from the region portray in different forms the ongoing economic and social change. The region has much cause for optimism, and several artworks reflect this exciting period. Latin America and the Caribbean have made notable strides in strengthening the legitimacy of public institutions.
Many countries in the region not only weathered the recent global economic crisis with great resilience, but quickly rebounded to high growth rates. On the other end of the spectrum, the region continues to grapple with the challenge of ensuring that opportunities reach all citizens independently of their race, gender or social background.
Many artworks in the exhibition clearly refer to this critical challenge and portray the difficult circumstances many Latin Americans are facing. The World Bank is committed to helping Latin American and Caribbean countries achieve a socially inclusive path to sustained growth with respect to the diversity of the region. As part of this commitment, we have been supporting regional artists through About Change since This task requires the full commitment of our staff and a constant adjustment to the complexities of a global and ever-changing reality.
In an era that places an increased focus on results and reforms, the World Bank has kept pace with them, relying more and more on knowledge sharing and much less on traditional development practices.
Knowledge sharing requires a strong understanding and appreciation of the values and cultural framework of our partners, as well as the willingness and courage to listen to them. These include human trafficking, child labor, migration, climate change, social inequality, diversity, and democracy. Esta tarea exige el total compromiso de nuestro personal y un constante trabajo de ajuste a las complejidades de la siempre cambiante realidad global.
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El Programa de Arte del Banco Mundial, creado dentro del Departamento de Servicios Generales enes precisamente la respuesta a esta exigencia. About Change celebrates the contemporary visual arts of Latin America and the Caribbean. Posteriormente, durante los 9. Esta fase se ha datado entre los 9.
Muy tempranamente, desde los Sin embargo, dado que esto coincide con el registro de fluctuaciones del nivel marino, no es posible verificar la intensidad de estos movimientos en la costa tanto arreica como exorreica.
Los asentamientos de pescadores-cazadores y recolectores de la costa arreica eran escasos y, efectivamente, hay consenso que por los 9. No es una coincidencia que desde los 6. En el caso de Taltal, comparable a lo registrado en enclaves de la costa de los valles occidentales Schiappacasse et al. Ciertamente, alrededor de los 6. Desde Antofagasta hacia el norte se han localizado otros campamentos con anzuelos de concha en Abtao Cerro Morenopor los 5.
El campamento Puripica-1 4.
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