Jane Eyre () - IMDb
The X-Men star Michael Fassbender takes on Mr Rochester in Jane Eyre. invited Fukunaga, Mia Wasikowska (who plays Jane Eyre) and the Aside from the forthcoming Jane Eyre, in this year alone Fassbender has starred in the .. Although rumoured to have been dating his co-star from X-Men, Zoë. Jane Eyre Movie Review, Starring Mia Wasikowska and Michael . 6 Women Michael Fassbender Dated Before Settling Down With Alicia. But together with co-star Mia Wasikowska as Jane, Fassbender and Fukunaga from the Welles performance, which with all due respect he calls "dated. Did you watch the version of Jane Eyre that starred Orson Welles?.
Jamie [Bell] and Michael [Fassbender] are just fantastic. To counter the intensity of the material, we had a lot of fun in between set-ups and scenes, and that was vital.
Mia Wasikowska Interview JANE EYRE; Updates on RESTLESS and THE WETTEST COUNTY
To have two co-stars like Michael and Jamie was fantastic. There were just a lot of funny things that happened. Is it true that there was a horse who also lightened things up a bit? Michael had a very huge effect on any horse he got on. On the third day of filming, we were shooting the scene where Jane and Rochester meet, and every time Michael hopped on the horse, it got a huge erection.
Did you speak French before this or did you learn for the film? I learned a little bit of French, just for the specific scenes but it was very informal.Jane Eyre - Why Must You Leave Clip
I had Eglantine, who played Sophie, and Romy, who was Adele, giving me lessons between takes, which was good. Your dance background probably gives you the discipline, but did it also help you with the body carriage of women of that age, who were strapped into corsets?
Also, just being physically aware. There are many tools you can use. Is there a different relationship with cast and crew when you are the lead in the film, playing the title role?
There was a lot of help there. You have an interest in photography and took pictures on the set. Why do you enjoy that so much? To have a creative outlet that you can control is really important because you do a lot of waiting to be cast, then waiting to go into production, and then waiting on set. You are relying on a waiting on other people in acting and films, so to be able to have something that I have full creative control over is really very therapeutic.
The thing about all of those actors is that they are so professional and they work really hard and they seem to really like what they do. What do you think gave Jane Eyre her courage, or do you think she was born with it? I think she has an innate sense of self-respect.
Do you find yourself in every one of them, or do you try to lose yourself in a character? You can always lose yourself in them. I like both sides of it. How comfortable are you with accents?
Jane Eyre ( film) - Wikipedia
I usually learn a specific accent and it stays that way. Is there someone you would like to work with again?
I did a Gus Van Sant film last year, and I love his films.
When I was younger and watching his films, they gave me a different perspective on filmmaking. I think everything he does is so brilliant. It would be nice to do a film at home. What is your role in Restless, the Gus Van Sant film?
Jane Eyre: Michael Fassbender interview
He is the kind of director who is so trusting. I felt so comfortable on his film set. He always presents adolescence in a way that gives us a lot of credit for our emotional complexity and ability to handle complex situations.
Is he as quiet on set as he is in person?
Jane Eyre: Michael Fassbender interview - Telegraph
You also have a project coming up with Guy Pearce and Gary Oldman. What is that film about and who do you play in it? I start that in a few weeks.
What helps you get into different eras? Judi Dench brings gravitas to Mrs. Fairfax, a character generally portrayed as good-hearted but simple.
Here, there is much more to her, and I love that it allows her to have more of a knowing sympathy with Jane. One lovely scene, in which Ms. With this brief scene, Mrs. Fairfax is made a three-dimensional character, actually surpassing her portrayal in the novel.
Jamie Bell is also very good as the stern St. John Rivers, making the character both likeable and suitably off-putting. My one major problem with this film is the handling of the childhood section. Aside from the poorly put together childhood sequence, however, the film is simply beautiful. He uses a great deal of handheld shots as well, giving the film more urgency and a the viewer a sense of proximity to the characters and their emotions.
After her second fireside conversation with Rochester, we see Jane looking at a sensual painting of a female nude in the hallway, contemplating it by candlelight. Later, after she puts out the fire in his bedchamber, she returns to her room and starts to untie her robe as an enigmatic expression crosses her face.
In the end, my favorite thing about this film is that it allows the story to be unquestionably about Jane. It sounds like a silly thing to say, but there are many ways to make the story of Jane Eyre less about Jane herself.
In this film, everything is from her point of view. The last line of the film sums her up perfectly.