The Fast and the Furious: Tokyo Drift () - IMDb
Fast Five is a American action film directed by Justin Lin and written by Chris Morgan. It is the fifth installment in The Fast and the Furious franchise. .. Release date(s), Budget, Box office revenue, Box office ranking . Fast Five was listed as the number 1 most illegally downloaded film of on . Latino Review. Jordana Brewster in The Fast and the Furious () Vin Diesel in The Fast and the Furious () Paul Walker at an event for The Fast and the 2 Fast 2 Furious · The Fast and the Furious: Tokyo Drift · Fast Five · Furious 6 .. Release Date: . Amazon Affiliates. Amazon Video Watch Movies & TV Online · Prime Video. Read Common Sense Media's The Fast and the Furious review, age rating, and parents guide. PG; ; minutes . Stay up to date on new reviews.
Morgan worked with Diesel to produce a story arc that would further explore and develop Diesel's character. He later incorporated it into Fast Five. The main cast were required to travel to Rio at the behest of Lin, who felt it important to understand the area and its culture to give the film a good sense of place.
Establishing shots of the heist team members were taken as each arrived in Rio. A similar situation occurred while Ludacris was shooting a scene in which his character buys a car to drive around the city.
The Fast and the Furious
The main and second filming units began filming in and around the capital, San Juan. The island's mixture of tropical greenery and wide streets allowed the production to re-create the densely populated favelas of Rio while completing the larger action and external scenes without incident. Production designer Peter Wenham had the task of transforming Puerto Rico and Atlanta into the previously scouted Rio locations in four weeks, as the production deemed Rio unsuitable for filming many of the larger scenes.
Wenham had to reinforce buildings to support the heavy camera equipment, and to alter the colors of more than 30 buildings in the city to make them suitable for filming.
Michelle Rodriguez - Wikipedia
His team needed to alter the buildings and strew debris to make the area look disheveled and appear as a Rio shantytown. Wenham remarked that, though the development was difficult, in part due to the heat, it was "a walk in the park" compared with filming in the Rio favelas themselves. He only chose to add a multitude of colors in the favela set.
Navy base pier 60 miles outside San Juan stood in for the bridge for scenes involving the vault smashing cars. The scene was considered difficult to shoot, as pathways were slippery from moist tropical heat and the scene involved actors and stunt doubles running while avoiding dogs, chickens and other stray animals loose in the area.
To capture the scene, a foot cable-camera rig was used to allow for a fast moving, birds-eye view of the action, and cameras on cranes were set up on rooftops and in alleyways.
It was required to allow enough space for stunt drivers to drive into the building, and it had to include an integrated lighting system. The design team removed walls, hauled out old railway cars, suspended rusted car parts and auto-plant car rails, and constructed smaller buildings within the main building to transform the site.
With twenty-five pages of script to shoot in a limited time, cinematographer Stephen Windon and his team spent three weeks setting up a series of high-powered, motorized lights in the rafters of the building, that could be controlled remotely to allow lighting to be altered quickly while fully illuminating the set.
The characters were written to be equally formidable, so the fight was punctuated with moments of character development, as Moritz felt this made the fight more exciting. The scene required several weeks of rehearsal and more than a week of filming by the actors and their stunt doubles, who incurred several minor injuries. The climactic vault heist required four weeks of preparation with every scene and camera angle determined in advance.
Filmed on the streets of Hato Rey,  the chaotic scene demanded specific timing that had to be synchronized with the various character interactions also occurring during the scene.
Razatos chose to use a series of camera cars including a crane-mounted camera atop a Porsche Cayennewhich allowed him to film from a variety of angles and heights while the vehicles were in motion, and a Subaru Impreza with a steel cage built around it that allowed for tracking shots. Padelford also developed a top-mount dual-drive system for the Chargers that allowed a stunt driver to control the vehicle from the roof, while the actor focused on their performance inside the car.
Another vault was a reinforced, four-wheel self-drive vehicle that was connected to foot cables and dragged through the streets of San Juan by the two stunt Dodge Chargers. Though the movie tries to show depth to the characters -- one mourns the loss of his father, another suffers from ADD -- the time devoted to the unrelenting car races and chases prevents any further developments.
Violence Unsurprisingly, there are frequent illegal street races and car chases. Pictures of a man after he was beaten in the face repeatedly with a wrench. A man gets a nozzle shoved into his mouth and is forced to drink motor oil. This same man is later kicked in the head. A trucker fires a shotgun at drivers trying to hijack his truck.
Machine-gun fire in a drive-by shooting.
'Fast & Furious' taps into hispanic movie audiences
A character gets hit in the head with a baseball bat. A fistfight results in visible blood. Sex Women serve as objectified eye candy in skimpy outfits around the cars and their drivers. A woman's breasts are shown through a wet shirt. A woman tells a driver at the starting line of a street race that if he wins, he gets to have a threesome with her and another woman.
Men grope at women's breasts and rear ends. There are kisses between opposite-sex and same-sex couples. Language The "N" word is used once.